dc.contributor.author | Danek, Georg | |
dc.date.accessioned | 2017-02-22T08:53:37Z | |
dc.date.available | 2017-02-22T08:53:37Z | |
dc.date.issued | 2012 | |
dc.identifier.other | http://hdl.handle.net/11858/00-001S-0000-002C-DC04-3 | |
dc.identifier.uri | https://doi.org/10.26015/adwdocs-864 | |
dc.language.iso | deu | |
dc.publisher | Walter de Gruyter GmbH & Co. KG | |
dc.relation.ispartof | http://hdl.handle.net/11858/00-001S-0000-002C-DBFA-1 | |
dc.relation.ispartofseries | Abhandlungen der Akademie der Wissenschaften zu Göttingen | |
dc.relation.ispartofseries | Neue Folge, Band 21 | |
dc.title | 02_Homer und Avdo Međedović als ‘post-traditional singers’? | |
dc.type | anthologyArticle | |
dc.rights.holder | Akademie der Wissenschaften zu Göttingen | |
dc.publisher.place | Berlin | |
dc.publisher.place | Boston | |
dc.relation.volume | 19 | |
dc.identifier.doi | 10.26015/adwdocs-864 | |
dc.bibliographicCitation.firstpage | 27 | |
dc.bibliographicCitation.lastpage | 44 | |